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Carousel: A Concert
Carousel: A Concert
by Rodgers and Hammerstein
by Rodgers and Hammerstein
This concert staging of Rodgers and Hammerstein's rarely produced masterwork Carousel at Melbourne's Princess Theatre brought together an all-star cast of Australian music theatre, including Marina Prior, Anna O'Byrne, and Danny Whitehead. Collaborating with director Petra Kalive, I developed a costume design approach that bridged the musical's 19th-century New England setting with the elegant simplicity demanded by the concert context.
The design concept blended period influences with contemporary aesthetics through a carefully curated palette of black base garments accented with striking touches of colour for principal characters. This approach subtly referenced period silhouettes through modern tailoring, balancing character, narrative, and the production's pared-back sensibility. A unified black palette for the ensemble provided cohesion, while the leads' thoughtfully chosen accents of russet, navy, blush, and tan highlighted their personalities and relationships, drawing attention to key moments in the narrative.
My fourth creative collaboration with Petra Kalive, our established shorthand proved invaluable as we developed and executed a nuanced design concept in just four weeks, employing a hybrid approach of bespoke costume design for principals and strategic styling for ensemble members. The design invited audiences to 'dream in' to Carousel's rich narrative world, with contemporary fashion that honoured period storytelling while maintaining an understated elegance that amplified the timeless resonance of this rarely staged masterpiece.
Role
Costume Designer
Producer
Venue
Princess Theatre
Collaborators
Director: Petra Kalive
MD/Conductor: Guy Simpson
Choreographer: Phillip Connaughton
Lighting Designer: Gavan Swift
Sound Designer: Tom Brickhill
Photography: Jeff Busby









Reviews
"Costume design by Casey Harper-Wood features clothes that traverse multiple time periods for the leads, and contemporary styles for the ensemble, rendering Carousel's core themes relevant for different generations."
– Stage Whispers
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I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.
Subscribe to my newsletter
Occasional notes on new work and whatever else has caught my eye.
I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.
Subscribe to my newsletter
Occasional notes on new work and whatever else has caught my eye.
I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.


