Casey Harper-Wood
Casey Harper-Wood

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Casey Harper-Wood
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Casey Harper-Wood
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Hello! I'm a Melbourne-based creative working across colour, character and story. I focus on illustration, branding and theatre design.

Where would you like to begin?

Illustration

Live watercolour portraits that capture character and turn fleeting moments into lasting artworks – for weddings, celebrations and brand events. Commissioned illustration for brands and publications.

Branding

Theatre

Two watercolour fashion illustrations on a marble surface: a woman in a yellow blouse and patterned skirt, and a couple in a tiered lilac gown and black tuxedo.
Gin Palace × Sipsmith London holiday calendar packaging: twelve numbered doors set in gilt picture frames of different shapes over a deep plum repeat pattern of holly, berries and the Gin Palace monogram.
A production photograph for The Beauty Queen of Leenane at fortyfivedownstairs featuring a set design of a weathered, forced-perspective Irish cottage kitchen, with Noni Hazlehurst as Mag in her armchair and Michala Banas as Maureen by the kitchen table.

Illustration

Live watercolour portraits that capture character and turn fleeting moments into lasting artworks – for weddings, celebrations and brand events. Commissioned illustration for brands and publications.

Two watercolour fashion illustrations on a marble surface: a woman in a yellow blouse and patterned skirt, and a couple in a tiered lilac gown and black tuxedo.

Branding

Theatre

Illustration

Live watercolour portraits that capture character and turn fleeting moments into lasting artworks – for weddings, celebrations and brand events. Commissioned illustration for brands and publications.

Two watercolour fashion illustrations on a marble surface: a woman in a yellow blouse and patterned skirt, and a couple in a tiered lilac gown and black tuxedo.

Branding

Theatre

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Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

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Colophon

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I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

Casey Harper-Wood

Subscribe to my newsletter

Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

|

Colophon

|

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

Casey Harper-Wood

Subscribe to my newsletter

Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

|

Colophon

|

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

Casey Harper-Wood