Starring beloved Australian actors Noni Hazlehurst and Michala Banas, the costume design transformed these recognisable television personalities into the bleakly ordinary, distinctly 1990s characters. The set design sought to emphasise the hothouse-like claustrophobia between mother and daughter, with a forced perspective interior placed on a diagonal, thrusting out into the audience and emerging from a watercolor backdrop of peat-stained fog. This visceral and immersive environment drew the audience into the characters' suffocating world, underscoring the play's themes of isolation and familial dysfunction.

Presented as one installment of The Leenane Trilogy, a repertory season of all three Martin McDonagh Leenane plays at fortyfivedownstairs, the set featured a revolving show deck and modular flattage that could be reconfigured into distinctive and bespoke configurations for each play with an economy of time. This adaptable design allowed for seamless transitions between the plays during the ambitious 7+ hour-long event on Sundays, when all three plays were presented back-to-back, showcasing the ingenuity and practicality of the design in service of the trilogy's unique presentation format.