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promiscuous/cities
promiscuous/cities
by Lachlan Philpott
by Lachlan Philpott
Nominated: Emerging Designer for Live Performance, APDG Awards 2022
This multi-narrative work by playwright Lachlan Philpott, delves into the complex realities of San Francisco, questioning its reputation as a place of freedom and liberal practices. The play follows parallel storylines that unfold over the course of one night, shining a light on issues such as homelessness, the impact of the IT boom, gentrification, and the continuing legacy of the HIV pandemic. With a large cast playing multiple characters, the costume design needed to support the specificity of each actor's core character while also allowing them to be visually 'read' as a cohesive ensemble when necessary.
Drawing inspiration from a line in the play describing San Francisco as a "sea of checkered shirts" and the Walkers artwork series by visual artist Julian Opie, the costume design features graphic silhouettes and colour-blocking, capturing the essence of briefly observing passersby in urban settings without fully absorbing their appearance. The colour palette, informed by urban photography of San Francisco's landscape, further grounds the costumes in the play's setting.
Notably, the contemporary-set costume design was realised during a Level Three COVID-19 lockdown in Melbourne, Australia, with brick-and-mortar retail closed to the public, requiring adaptability and resourcefulness to bring the design to life under challenging circumstances. A design highlight was the costuming for Renaldo, a young professional with a secret alter ego as a furry, Cody the Coyote. The realisation of this costume involved complex costume-prop construction, including soft sculpture headpieces and a body suit.
Role
Costume Designer
Producer
VCA School of Theatre
Venue
Studio 4, VCA (2021); Theatre Works (2023)
Collaborators
Director: Alyson Campbell
Set Designer: Leon Salom
Lighting Designer: Emma Lockhart-Wilson
Sound Designer: Meta Cohen
Costume Supervisor: Elizabeth Maisey
Costume Maker: Karen Blinco
Photography: Drew Echberg




















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I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.
Subscribe to my newsletter
Occasional notes on new work and whatever else has caught my eye.
I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.
Subscribe to my newsletter
Occasional notes on new work and whatever else has caught my eye.
I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.


