Casey Harper-Wood

MENU

promiscuous/cities by Lachlan Philpott at the VCA. Beneath a canopy of suspended paper sheets, the ensemble in colour-blocked checks and plaids stands among concrete stools as Anette Aghazarian as Butch, in a red puffer and orange check trousers, stretches upward on one.
promiscuous/cities by Lachlan Philpott at the VCA. Beneath a canopy of suspended paper sheets, the ensemble in colour-blocked checks and plaids stands among concrete stools as Anette Aghazarian as Butch, in a red puffer and orange check trousers, stretches upward on one.

promiscuous/cities

promiscuous/cities

by Lachlan Philpott

by Lachlan Philpott

Nominated: Emerging Designer for Live Performance, APDG Awards 2022

This multi-narrative work by playwright Lachlan Philpott, delves into the complex realities of San Francisco, questioning its reputation as a place of freedom and liberal practices. The play follows parallel storylines that unfold over the course of one night, shining a light on issues such as homelessness, the impact of the IT boom, gentrification, and the continuing legacy of the HIV pandemic. With a large cast playing multiple characters, the costume design needed to support the specificity of each actor's core character while also allowing them to be visually 'read' as a cohesive ensemble when necessary.

Drawing inspiration from a line in the play describing San Francisco as a "sea of checkered shirts" and the Walkers artwork series by visual artist Julian Opie, the costume design features graphic silhouettes and colour-blocking, capturing the essence of briefly observing passersby in urban settings without fully absorbing their appearance. The colour palette, informed by urban photography of San Francisco's landscape, further grounds the costumes in the play's setting.

Notably, the contemporary-set costume design was realised during a Level Three COVID-19 lockdown in Melbourne, Australia, with brick-and-mortar retail closed to the public, requiring adaptability and resourcefulness to bring the design to life under challenging circumstances. A design highlight was the costuming for Renaldo, a young professional with a secret alter ego as a furry, Cody the Coyote. The realisation of this costume involved complex costume-prop construction, including soft sculpture headpieces and a body suit.

Role

Costume Designer

Producer

VCA School of Theatre

Venue

Studio 4, VCA (2021); Theatre Works (2023)

Collaborators

Director: Alyson Campbell
Set Designer: Leon Salom
Lighting Designer: Emma Lockhart-Wilson
Sound Designer: Meta Cohen
Costume Supervisor: Elizabeth Maisey
Costume Maker: Karen Blinco

Photography: Drew Echberg

Miela Anich as Fran, in a pink cardigan, plaid skirt and red tights, stares ahead, flanked by Tayla Abbott as Katelyn in a tweed jacket and Hannah McKenzie as Allie in a teal jacket and tartan trousers, Nicola Ingram as J in a mustard puffer blurred in the foreground.
Miela Anich as Fran, in a pink cardigan, plaid skirt and red tights, stares ahead, flanked by Tayla Abbott as Katelyn in a tweed jacket and Hannah McKenzie as Allie in a teal jacket and tartan trousers, Nicola Ingram as J in a mustard puffer blurred in the foreground.
The ensemble, in checked shirts, plaid trousers and puffer jackets, is scattered across the circular floor and concrete stools beneath hanging paper sheets, most absorbed in their phones.
The ensemble, in checked shirts, plaid trousers and puffer jackets, is scattered across the circular floor and concrete stools beneath hanging paper sheets, most absorbed in their phones.
Guy Knowler as Cody the Coyote, in a blue and violet fur suit with pink-tipped ears, dances with the ensemble under green light beside Nicola Ingram as J, in a mustard puffer and yellow plaid trousers.
Guy Knowler as Cody the Coyote, in a blue and violet fur suit with pink-tipped ears, dances with the ensemble under green light beside Nicola Ingram as J, in a mustard puffer and yellow plaid trousers.
Guy Knowler as Renaldo, in a checked shirt and blue-and-violet fur overalls, talks with Tayla Abbott as Katelyn, in a tweed jacket and sequinned skirt, his Cody the Coyote headpiece resting on a stool.
Guy Knowler as Renaldo, in a checked shirt and blue-and-violet fur overalls, talks with Tayla Abbott as Katelyn, in a tweed jacket and sequinned skirt, his Cody the Coyote headpiece resting on a stool.
Anette Aghazarian as Butch, in a red puffer, pink beanie, red check trousers and checkerboard sneakers, stands hand on hip beside Hannah McKenzie as Allie, in a teal suede jacket, tartan trousers and pastel sneakers.
Anette Aghazarian as Butch, in a red puffer, pink beanie, red check trousers and checkerboard sneakers, stands hand on hip beside Hannah McKenzie as Allie, in a teal suede jacket, tartan trousers and pastel sneakers.
Jess Lu as Janney, in a khaki bomber, green beanie and green tartan overalls, stares down Hannah McKenzie as Allie, in a teal jacket and tartan trousers.
Jess Lu as Janney, in a khaki bomber, green beanie and green tartan overalls, stares down Hannah McKenzie as Allie, in a teal jacket and tartan trousers.
Sebastian Li as Will, in a fluffy striped mohair jacket, tan chinos and oxblood boots, takes a call among the concrete stools, others on their phones behind.
Sebastian Li as Will, in a fluffy striped mohair jacket, tan chinos and oxblood boots, takes a call among the concrete stools, others on their phones behind.
Watercolour costume rendering for Cody the Coyote: a blue and violet fur mask with pink-tipped ears and lolling tongue, beside sketches of fur overalls with coyote legs and a tail, worn over the base costume.
Watercolour costume rendering for Cody the Coyote: a blue and violet fur mask with pink-tipped ears and lolling tongue, beside sketches of fur overalls with coyote legs and a tail, worn over the base costume.
Watercolour costume rendering for Bill the Beaver: a magenta fur mask with a pink crest and buck teeth, beside a sketch of a quilted leather tail poking through a coat vent.
Watercolour costume rendering for Bill the Beaver: a magenta fur mask with a pink crest and buck teeth, beside a sketch of a quilted leather tail poking through a coat vent.
Watercolour costume rendering for Brie the Two-Toed Sloth: a pink and red fur mask with lashed blue eyes, beside fur glove paws with two long red talons.
Watercolour costume rendering for Brie the Two-Toed Sloth: a pink and red fur mask with lashed blue eyes, beside fur glove paws with two long red talons.

Reviews

Subscribe to my newsletter

Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

|

Colophon

|

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

Casey Harper-Wood

Subscribe to my newsletter

Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

|

Colophon

|

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

Casey Harper-Wood

Subscribe to my newsletter

Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

|

Colophon

|

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.