Casey Harper-Wood

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Gin Palace Website

Gin Palace Website

Velvet and candlelight, translated to screen.

Gin Palace is a subterranean den of velvet, tassels and gilt, pouring its iconic 90mL martinis until 3am every night of the year. Alongside a refreshed visual identity, Gin Palace wanted a website that would capture its inimitable character, drawing in prospective guests while handling event enquiries and merchandise sales.

The design takes its cues from the venue’s architecture. The opening fold parts like Gin Palace’s double doors to a cheeky greeting, and colour-drenched split screens carry the motif throughout. The navigation is a salon hang of gilt frames, after the venue’s famed gallery wall. On mobile, the narrative condenses for late-night drinkers deciding where to go next.

Behind the curtain, the whole site runs on a visual editor and simple CMS, so venue staff can keep it current without disturbing the design.

Industry

Industry

Hospitality

Scope

Scope

Website design & build
UX strategy
Copywriting

Visit the website

Visit the website

Three mobile screens from the Gin Palace website design: a plum homepage reading “Well hello there, gin lover”, the martini menu with Classic and Vesper cocktails, and the 1870 history page with an engraving of Melbourne’s original Gin Palace.
Three mobile screens from the Gin Palace website design: a plum homepage reading “Well hello there, gin lover”, the martini menu with Classic and Vesper cocktails, and the 1870 history page with an engraving of Melbourne’s original Gin Palace.
Desktop screens from the Gin Palace website design in plum, gold and cream: the homepage with gold monogram and “Est. 1997”, the martini menu, the shop with gift certificates and merchandise, and the bookings page.
Desktop screens from the Gin Palace website design in plum, gold and cream: the homepage with gold monogram and “Est. 1997”, the martini menu, the shop with gift certificates and merchandise, and the bookings page.

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Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

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Colophon

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I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

Casey Harper-Wood

Subscribe to my newsletter

Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

|

Colophon

|

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

Casey Harper-Wood

Subscribe to my newsletter

Occasional notes on new work and whatever else has caught my eye.

© Casey Harper-Wood 2026

|

Colophon

|

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.