I've designed for diverse settings ranging from the Arts Centre Melbourne to a former convent, extending to art direction, set design and styling for fashion runways, music videos, and television commercials. I hold undergraduate and master's degrees in theatre design from the VCA, where I earned the Trina Parker Scholarship in Design, and now sessionally lecture.

Equally excited by new writing and classic texts, I'm passionate about work that lends a human scale to diverse perspectives and complex issues. Through a tactile approach to the design process, my handcrafted models and illustrations result in expressive visual storytelling that sensitively supports a script’s dramaturgy.

Recent work includes the VCE Playlisted The World According to Dinosaurs (Frenzy Theatre regional tour), and Lemon Tree on Dreg Street and promiscuous/cities at Theatre Works, with my costume designs for the latter nominated for an Australian Production Design Guild Award in 2022.

Other highlights include The Mentor (Theatre Works), The Lighthouse (BK Opera/Brunswick Mechanics Institute), If We Got Some More Cocaine I Could Show You How I Love You (Gavin Roach Presents/Arts House Meat Market), and award-winning productions of The Leenane Trilogy (fortyfivedownstairs/Kin Collective) and Hart (SheSaid). My portfolio extends to projects with St Martins Youth Arts Centre, Dancehouse, Union House Theatre, Riot Stage, Darebin Speakeasy and La Mama.

In 2022, I assisted Kate Davis on Looking For Alibrandi (Malthouse) and YES (The Rabble), and I've assisted designers including Richard Roberts, Christina Smith, Zoë Atkinson, and Adam Gardnir on productions at most major Australian companies.