Designed during my masters studies at the Victorian College of the Arts, the scenography for this premiere production sought to ground the post-dramatic, abstracted work within the physical parameters of a black box studio theatre. Drawing inspiration from the historical legacy of museums as sites of colonisation and cultural control, the set design reflected the stark, impersonal architecture of a contemporary museum, with marble-textured floors and walls nodding to the refinement of colonised lands into symbols of imperial wealth and dominance. A corner staging configuration and wraparound levels maximised the modest space, accommodating 12 performers and supporting the play's staging needs.